Introduction
Essays, Articles
-
2024
Open Letter to Sinéad, Brown Paper
-
2024
Crash Landings, on Alaska Projects, danmudcun.com
-
2024
Wall Hangings, on Dani Marti, GAGPROJECTS
-
2024
Peep Show, on Jamie James, 107 Projects
-
2024
Glisten, on Gerwyn Davies, SECCA
-
2023
Planet Telex, on Guido Maestri, Yavuz Gallery
-
2023
Two Hearts, on Troy-Anthony Baylis and Paul Knight, Art Monthly Australasia, issue 336
-
2023
Colonial Truth, on Doug Heslop, The Creator Incubator
-
2023
Firsts and Seconds, on Nan Goldin and Matthew Sleeth, Art Monthly Australiasia, issue 335
-
2023
Hidden Theatre, on Tim Georgeson, Olsen Gallery
-
2022
Cross-cultural Fuck-up, Karla Dickens interviewed by Daniel Mudie Cunningham, Kafay Larday, issue 1
-
2022
First Sight Protest, on Jemima Wyman, Macquarie University
-
2022
Port of Call, on Joanna Braithwaite, Macquarie University
-
2022
Very Few Good Men, on Baden Pailthorpe, Macquarie University
-
2022
Whisperer, on Monika Behrens, Macquarie University
-
2022
Tapestry Revisited, on Liam Benson, Artist Profile, issue 61
-
2022
Below Surface, Toxic Masculinity and Liam Benson’s Self-Portraiture, Bathurst Regional Art Gallery
-
2022
Time Portrait, Lee Serle in conversation with Daniel Mudie Cunningham, The Substation
-
2022
Keeper of Time, on Tina Havelock Stevens, Dominik Mersh Gallery
-
2022
Ghost-writing, on the posthumous invention of Philippa Cullen, Artlink, issue 41:1.
-
2022
Heavy Petal, on George Tillianakis, Artist Profile, issue 58
-
2021
Yes, I Am Musical, on Troy-Anthony Baylis, Art Gallery of South Australia
-
2021
From Chrysanthemum, to Chrysanthemum, on Philjames and Polly Borland, Nicholas Thompson Gallery
-
2021
Blood Skies, Blood Moon, on Angela Goh and Lizzie Buckmaster Dove, Artlink, issue 41:2
-
2021
Time is the Fire in Which We Burn, on Dani Marti, Monash University Museum of Art
-
2021
Flipping the Bird, on Wart, Rogue Pop-up Gallery
-
2021
The Chronopolitics of Labour, Libido and Image, on Melanie Jame Wolf, Artlink, issue 41:1
-
2021
Selected Scuffs, on Mitch Cairns, Carriageworks
-
2021
Psychic's House, on Darren Sylvester, Carriageworks
-
2021
Conversation Piece, on Fiona Kelly McGregor, danmudcun.com
-
2021
Walking All Over My Friend, on Daniel Kojta, Campbelltown Arts Centre
-
2020
Movies, on Tara Marynowsky, Chalk Horse
-
2020
RE: Union, on Amala Groom, Bathurst Regional Art Gallery
-
2020
Dirt Stories, on Alexandra Standen, Chalk Horse
-
2020
Shine Some Glory on Me, on Matt Huppatz, ACE Open
-
2020
The Layering of the Land, on Troy-Anthony Baylis, Art Gallery of South Australia
-
2020
Echo Point, on Danny Morse, Chalk Horse
-
2020
Handheld, on Sidney McMahon, Goulburn Regional Art Gallery
-
2019
A Choreography of Anxiety, Matthew Sleeth: A Drone Opera, Carriageworks
-
2019
Big as Biscuits, on Kaylene Whiskey, Museum of Contemporary Art
-
2018
The Art Teacher, McPhee
-
2017
Mental Olympics, on Wart, un Magazine, issue 11:1
-
2017
Like Electricty, on Todd Fuller, Art Monthly
-
2016
The Air is Free, on James Fardoulys and Dean Manning, danmudcun.com
-
2016
The Revenge of Alexis Colby, on Sarah Contos, Australian Experimental Art Foundation
-
2015
Special Talent, on Adam Cullen, Sturgeon, issue 4
-
2015
Something More from a Distance, on Tracey Moffatt, Sturgeon, issue 3
-
2013
In a Land Far, Fardoulys Away, on James Fardoulys, Sturgeon, issue 1
-
2013
Nude in the Jacuzzi, on William Yang, Photofile, issue 93
-
2013
Smudge, on Polly Borland, Art Gallery of New South Wales
-
2012
Desperately Seeking Straight Acting Queers, Performance Space
-
2012
One Death, One Minute, Four Takes, on Sumugan Sivanesan, Gallery 4A
-
2012
Sculpting with light to illuminate life's shadows, on Katthy Cavaliere, Sydney Morning Herald / Art & Australia
-
2011
Dear Sylvia: Arthur McIntyre in Paris, 1975, Art & Australia, issue 48:4
-
2011
Fatso Whalen, on Jodie Whalen, Parramatta Artist Studios
-
2011
Vertigo, on Fiona Kelly McGregor, MOP Projects
-
2010
Ghosts Undermine, on the artist formerly known as John A. Douglas, Runway, issue 17
-
2010
Drag Race Riot, on Liam Benson, Runway, issue 16
-
2009
Karaokeing the Photograph, on Gary Carsley, Breenspace
-
2009
Queer Today Gone Tomorrow, Art & Australia, issue 46:4
-
2009
Scaling Second-hand Mountains, on Elvis Richardson, Eyeline, issue 68
-
2009
Down South, on Andrew Stark, Heat, issue 20
-
2008
Small States (Dancellations), on Jessica Olivieri & Hayley Forward, MOP Projects
-
2008
Survival, Decay and Excavation: curating Arthur McIntyre, Art Monthly Australia, issue 211
-
2008
The Wayback Machine, on David Lawrey & Jaki Middleton, MOP Projects
-
2008
The Art of Noise, Artist Profile, issue 5
-
2008
RE: Group, VCA Margaret Lawrence Gallery
-
2008
Things in the World, on Todd Robinson, MOP Projects
-
2008
The Pornography of Romance, Runway, issue 10
-
2007
Untitled Home, on Katthy Cavaliere, MOP Projects
-
2006
The Architecture of Dreams, on Luis Martinez, Blacktown Arts Centre
-
2006
The Terror of Outback Trash, Cultural Studies Association of Australasia
-
2006
Archive Anxiety: The Vernacular Turn, Photofile, issue 78
-
2006
Nowhereland, on José Da Silva, Metro Arts
-
2005
Old New Media, Open Manifesto, issue 2
-
2005
Shadowing Video Art, on Monika Tichacek, Machine, issue 2
-
2004
Puberty Blues, Senses of Cinema
-
2004
Captive Bait, on José Da Silva, Artlink, issue 24:2
-
2004
Trashing the White American Dream, on Larry Clark, Film Journal, issue 8
-
2003
Driving into the Dustless Highway of Queer Cinema, Film Journal, issue 5
-
2003
The Filthiest Films Alive, on John Waters, Senses of Cinema, issue 28
-
2003
Authenticating White Trash, Country Music in O Brother, Where Art Thou?, Refractory Journal, issue 4
-
2001
Trashing Woop Woop, Society for Cinema Studies, 26 May
-
2000
Zero Degree Nothingness, on Karen Coull, Casula Powerhouse
-
2000
New Queer Gear, IF Magazine, issue 21
-
1999
The Masks of Whiteness, IF Magazine, issue 16
-
1998
Eat Shit and Die!, on Salò and Pink Flamingos, Sydney Star Observer, 11 June
-
1997
Hard Bodies: The Image of 'Queer', The Image of Man, Art Gallery of NSW
-
1996
Bugs in Lilliput, on Erna Lilje, Western Sydney University
Books, Chapters
-
2019
Endnotes of Time and Place, Cherine Fahd: Apókryphos, M.33
-
2019
The Shape of Return, Ildiko Kovacs: The DNA of Colour, Orange Regional Gallery
-
2019
Stupid Little Dreamer, MOP Projects: 2003–2016, Formist
-
2018
Curating Grief, Feminist Perspectives on Art: Contemporary Outtakes, Routledge
-
2016
Katthy Cavaliere, Brown Paper / Museum of Old and New Art
-
2012
Camping Out at the Arse End of the Universe, Luke Roberts: AlphaStation/Alphaville, IMA
-
2011
Ildiko Kovacs: Down the Line, 1980–2010, Hazelhurst Art Gallery
-
2010
Arthur McIntyre: Bad Blood, 1960–2000, Hazelhurst Arts Centre
-
2009
Disappearing Acts: Patrick Bateman as Average White Male, Pimps, Wimps, Studs, Thugs & Gentlemen, McFarland
-
2007
A Star Thing: Interview with John Waters, Andy Warhol, QAGOMA
-
2007
New Queer White Trash Cinema, Queer Popular Culture, Palgrave Macmillan
-
2006
eBay and the Traveling Museum: Elvis Richardson’s Slide Show Land, Everyday eBay: Culture, Collecting and Desire, Routledge
-
2003
Queer Cinema Since 1997, The Bent Lens: A World Guide to Gay & Lesbian Film, Allen & Unwin
Editorial, Curatorial
-
2024
Crying, Kuba Dorabialski, Orange Regional Gallery
-
2022
All is Life, Mel O'Callaghan, danmudcun.com
-
2022
Suspended Moment: Katthy Cavaliere Fellowship, danmudcun.com
-
2022
Ecdysis, Cherine Fahd, Carriageworks
-
2021
In Public / Inside, Artlink, issue 41:2
-
2021
Invocation Trilogy, Kuba Dorabialski, Carriageworks
-
2021
Thank You for Holding, Tina Havelock Stevens, Carriageworks
-
2021
Channel Z, curating art school memoirs, Campbelltown Arts Centre
-
2021
Space YZ, Campbelltown Arts Centre
-
2020
Cinopticon, Giselle Stanborough, Carriageworks
-
2019
Dark Sunshine, The National 2019: New Australian Art, Carriageworks
-
2018
The TV Show, Wollongong Art Gallery
-
2015
Lost and Profound, Octopus 15, Gertrude Contemporary
-
2013
Sturgeon, Artbank
-
2010
The Ghost Show, Hazelhurst Art Gallery
-
2009
Reality Check, watching Sylvania Waters, Hazelhurst Art Gallery
-
2009
Collide-O-Rama, Maria Kozic, Hazelhurst Art Gallery
-
2009
Dead, Runway, issue 13
-
2008
Plausible Lies, Emma White, Hazelhurst Art Gallery
-
2008
Stage Unstage, Cherine Fahd, Hazelhurst Art Gallery
-
2008
The Menagerie, Gavin Hipkins, Hazelhurst Art Gallery
-
2008
Bent Western, Blacktown Arts Centre
-
2007
Multiple Personality, MOP Projects
-
2005
Dress Code, MOP Projects
-
2002
Flaming Muses, Performance Space
Reviews, Profiles
-
2023
Learning to Let Go, on Lucas Davidson, Art Collector, issue 103
-
2023
Groundloop, on Lisa Reihana, Art Collector, issue 103
-
2022
A Life Consumed, on Teo Treloar, Art Collector, issue 102
-
2022
Holding and Being Held, on Lara Merrett, Art Collector, issue 102
-
2022
One Sentence Reviews, on Kate Mitchell, Julie Fragar, Jelena Telecki, Art Collector, issues 102, 97, 94
-
2022
Sampler, on Hilarie Mais, Art Collector, issue 101
-
2022
Different Angles, on Polly Borland, Art Collector, MAF Edition
-
2021
Houston, We Have a Problem, on Joan Ross, Art Collector, issue 97
-
2021
Unsolicited Advice, on Amy Claire Mills, Art Collector, issue 96
-
2021
Friendship as a Way of Life, Art Collector, issue 95
-
2021
Future Traditions, on Sera Waters, Art Collector, issue 95
-
2021
Gimp to Painting, on Jelena Telecki, Art Collector, issue 95
-
2021
Paratactical, on Dean Cross, Art Collector, issue 95
-
2020
Settlement, on Elvis Richardson, Art Collector, issue 94
-
2017
The Perfect Medium, on Robert Mapplethorpe, Running Dog
-
2014
Hand & Heart Shall Never Part, on David McDiarmid, Art Monthly Australasia, issue 273
-
2013
Body Fluid, on the artist formerly known as John A. Douglas, Artlink, issue 33:3
-
2013
Footnotes, on Eugenia Raskopoulos, Art Collector, issue 63
-
2012
Working Things Out, on Sarah Smuts-Kennedy, Art Collector, issue 60
-
2012
Big Picture Artist, on Tom Mùller, Artbank Now
-
2012
Pop, Punk, Politics, Psychadelia, on Philip Juster, Artbank Now
-
2011
The Artist as Collector, on Sarah Goffman, Artbank Now
-
2011
The Begin-Again, on Angelica Mesiti, Runway, issue 19
-
2006
Souped Up at Supré, on The Motel Sisters, Runway, issue 8
-
2006
Judging a Book by its Cover, on Jenny Grigg, Empty, issue 7
-
2006
Waiting to Explode, on Adam Cullen, Empty, issue 6
-
2005
Deform Follows Dysfunction, on Drew Bickford, Empty, issue 5
-
2005
Eruptions, on Crush, PopMatters
-
2005
Beyond Natural Colour, on Short Cuts, PopMatters
-
2005
Feminino, on Dottie Gets Spanked, PopMatters
-
2005
The Chick with the Leak, on High Art, PopMatters
-
2004
Hitchcock Soufflé, on Roadgames, PopMatters
-
2004
No. 5 is Alive, on Chanel No. 5 The Film, PopMatters
-
2004
Little People, on Danny Deckchair, PopMatters
-
2004
Death Masks, on Ned Kelly, PopMatters
-
2004
Family Plot, on Wilbur Wants to Kill Himself, PopMatters
-
2004
Propaganda Machine, on Good Bye, Lenin!, PopMatters
-
2004
Chemical Sisters, on Teknolust, PopMatters
-
2004
Playing Dead, on Frisk, PopMatters
-
2000
Persuasion, on Michael Shaowanasai and Toby Huynh, Sydney Star Observer, 24 February
-
1999
Sadness, on William Yang and Tony Ayres, IF Magazine, issue 19
-
1999
Family Ties, on William Yang, Sydney Star Observer, 14 October
-
1999
Pixelvisions, on Flat is Beautiful, IF Magazine, issue 18
-
1999
Lip for Laudanum, on Tracey Moffatt, Sydney Star Observer, 22 April
-
1999
Modern Lovers, on Bettina Rheims, Sydney Star Observer, 28 January
-
1998
Passages to Sleep, on Peter Maloney, Kaye Shumack & Simone Douglas, Sydney Star Observer, 5 November
-
1998
Strange Days, Sydney Star Observer, 11 June 1998
-
1998
Disco Beefcake, on Peter Maloney and art2go, Sydney Star Observer, 19 March
-
1998
Suburban Fetish, on Sandy Nicholson, Sydney Star Observer, 29 January
-
1997
Retrieval, on Michele Barker, Anna Munster and Elvis Richardson, Sydney Star Observer, 13 November
-
1997
Strike a Pose, on Discipline and Beauty, Sydney Star Observer, 10 July
-
1997
Mardi Gras '97, on Nan Goldin and William Yang, Photofile, issue 51
-
1997
Fruit Juice, on Mardi Gras '97, Broadsheet, issue 26:2
-
1997
The Speed of Darkness, on Laurie Anderson, Photofile, issue 50
-
1996
White Pathologies, on Josephine Starrs and Francesca da Rimini, Broadsheet, issue 25:3
